The Shakespeare Conference: SHK 28.201 Tuesday, 4 July 2017
From: Helen M. Ostovich <
Date: July 4, 2017 at 2:29:56 PM EDT
Subject: PUBLICATION OF JUNE ISSUE Early Theatre 20.1
Early Theatre is pleased to announce the publication of issue 20.1, which includes the following articles, review essay, and book reviews:
ARTICLES
Leicester’s Men and the Lost Telomo of 1583
Domenico Lovascio
‘Sick interpreters’: Criticizing Historical Adaptations of Cardinal Wolsey in Shakespeare’s Henry VIII
Nadia Thérèse Van Pelt
Reading the Royal Entry (1604) in/as Print
Heather C. Easterling
Material / Blackness: Race and Its Material Reconstructions on the Seventeenth-Century English Stage
Morwenna Carr
The Vow Breaker and William Sampson’s Role in ‘the Anne Willoughby Affair’
Emanuel Stelzer
Trumpeters from China in Bristol in 1577?
Matteo Pangallo
A Possible Extension of Henslowe’s and Alleyn’s Sussex Network?
Paul Quinn
REVIEW ESSAY
Affective Inheritances
Lesel Dawson and Eric Langley
BOOK REVIEWS
Nicole R. Rice and Margaret Aziza Pappano. The Civic Cycles: Artisan Drama and Identity. Notre Dame, IN: Notre Dame University Press, 2015. Pp 360.
Reviewed by Alexandra F. Johnston
Elizabeth Zeman Kolkovich. The Elizabethan Country House Entertainment: Print, Performance, and Gender. Cambridge: Cambridge University Press, 2016. Pp 256.
Reviewed by Wendy Wall
Nicoleta Cinpoeş (ed.). Doing Kyd: Essays on The Spanish Tragedy. Manchester: Manchester University Press, 2016. Pp 240.
Reviewed by Marianne Montgomery
W.R. Streitberger. The Masters of the Revels and Elizabeth I’s Court Theatre. Oxford: Oxford University Press, 2016. Pp xv, 319.
Reviewed by Curtis Perry
Allison P. Hobgood. Passionate Playgoing in Early Modern England. Cambridge: Cambridge University Press, 2014. Pp x, 236.
Reviewed by Katharine Goodland
Eoin Price. ‘Public’ and ‘Private’ Playhouses in Renaissance England: The Politics of Publication. London: Palgrave Macmillan, 2015. Pp x, 95.
Reviewed by Holger Schott Syme
Jerry Brotton. This Orient Isle: Elizabethan England and the Islamic World. London: Allen Lane, 2016. Pp xv, 358.
Reviewed by Richard Allen Cave
Gwilym Jones. Shakespeare’s Storms. Manchester: Manchester University Press, 2015. Pp xi, 198.
Reviewed by Edward J. Geisweidt
Farah Karim-Cooper. The Hand on the Shakespearean Stage: Gesture, Touch and the Spectacle of Dismemberment. London: Bloomsbury, 2016. Pp 309.
Reviewed by Miranda Fay Thomas
David Crystal. The Oxford Dictionary of Original Shakespearean Pronunciation. Oxford: Oxford University Press, 2016. Pp 704.
Reviewed by Sarah Grandage
Simone Chess. Male-to-Female Crossdressing in Early Modern English Literature: Gender, Performance, and Queer Relations. New York: Routledge, 2016. Pp xi, 196.
Reviewed by Jennifer Panek
Rebecca Yearling. Ben Jonson, John Marston and Early Modern Drama: Satire and the Audience. Basingstoke: Palgrave, 2016. Pp 223.
Reviewed by José A. Pérez Díez
Helen M Ostovich <
http://www.humanities.mcmaster.ca/~english/Faculty/Ostovich.html
Founding Editor, Early Theatre <http://earlytheatre.org/>
Series Editor, Studies in Performance and Early Modern Drama https://www.routledge.com/performance/series/SPEMD
Series Editor, Late Tudor and Stuart Drama (https://mip-archumanitiespress.org/series/mip/late-tudor-stuart-drama/)
Professor Emerita, English and Cultural Studies
McMaster University
Canada