The Shakespeare Conference: SHK 28.201  Tuesday, 4 July 2017

 

From:        Helen M. Ostovich <This email address is being protected from spambots. You need JavaScript enabled to view it.>

Date:         July 4, 2017 at 2:29:56 PM EDT

Subject:    PUBLICATION OF JUNE ISSUE Early Theatre 20.1

 

Early Theatre is pleased to announce the publication of issue 20.1, which includes the following articles, review essay, and book reviews:

ARTICLES

 

Leicester’s Men and the Lost Telomo of 1583

Domenico Lovascio

 

‘Sick interpreters’: Criticizing Historical Adaptations of Cardinal Wolsey in Shakespeare’s Henry VIII

Nadia Thérèse Van Pelt

 

Reading the Royal Entry (1604) in/as Print

Heather C. Easterling

 

Material / Blackness: Race and Its Material Reconstructions on the Seventeenth-Century English Stage

Morwenna Carr

 

The Vow Breaker and William Sampson’s Role in ‘the Anne Willoughby Affair’

Emanuel Stelzer

 

Trumpeters from China in Bristol in 1577?

Matteo Pangallo

 

A Possible Extension of Henslowe’s and Alleyn’s Sussex Network?

            Paul Quinn 

 

 

REVIEW ESSAY

 

Affective Inheritances

Lesel Dawson and Eric Langley

 

 

BOOK REVIEWS

 

Nicole R. Rice and Margaret Aziza Pappano. The Civic Cycles: Artisan Drama and Identity. Notre Dame, IN: Notre Dame University Press, 2015. Pp 360.

Reviewed by Alexandra F. Johnston

 

Elizabeth Zeman Kolkovich. The Elizabethan Country House Entertainment: Print, Performance, and Gender. Cambridge: Cambridge University Press, 2016. Pp 256.

Reviewed by Wendy Wall

 

Nicoleta Cinpoeş (ed.). Doing Kyd: Essays on The Spanish Tragedy. Manchester: Manchester University Press, 2016. Pp 240.

Reviewed by Marianne Montgomery

 

W.R. Streitberger. The Masters of the Revels and Elizabeth I’s Court Theatre. Oxford: Oxford University Press, 2016. Pp xv, 319.

Reviewed by Curtis Perry

 

Allison P. Hobgood. Passionate Playgoing in Early Modern England. Cambridge: Cambridge University Press, 2014. Pp x, 236.

Reviewed by Katharine Goodland

 

Eoin Price. ‘Public’ and ‘Private’ Playhouses in Renaissance England: The Politics of Publication. London: Palgrave Macmillan, 2015. Pp x, 95.

Reviewed by Holger Schott Syme

 

Jerry Brotton. This Orient Isle: Elizabethan England and the Islamic World. London: Allen Lane, 2016. Pp xv, 358.

Reviewed by Richard Allen Cave

 

Gwilym Jones. Shakespeare’s Storms. Manchester: Manchester University Press, 2015. Pp xi, 198.

Reviewed by Edward J. Geisweidt

 

Farah Karim-Cooper. The Hand on the Shakespearean Stage: Gesture, Touch and the Spectacle of Dismemberment. London: Bloomsbury, 2016. Pp 309.

Reviewed by Miranda Fay Thomas

 

David Crystal. The Oxford Dictionary of Original Shakespearean Pronunciation. Oxford: Oxford University Press, 2016. Pp 704.

Reviewed by Sarah Grandage

 

Simone Chess. Male-to-Female Crossdressing in Early Modern English Literature: Gender, Performance, and Queer Relations. New York: Routledge, 2016. Pp xi, 196.

Reviewed by Jennifer Panek

 

Rebecca Yearling. Ben Jonson, John Marston and Early Modern Drama: Satire and the Audience. Basingstoke: Palgrave, 2016. Pp 223.

            Reviewed by José A. Pérez Díez

 

Helen M Ostovich  <This email address is being protected from spambots. You need JavaScript enabled to view it.>

http://www.humanities.mcmaster.ca/~english/Faculty/Ostovich.html

Founding Editor, Early Theatre <http://earlytheatre.org/>

Series Editor, Studies in Performance and Early Modern Drama https://www.routledge.com/performance/series/SPEMD

Series Editor, Late Tudor and Stuart Drama (https://mip-archumanitiespress.org/series/mip/late-tudor-stuart-drama/)

Professor Emerita, English and Cultural Studies

McMaster University

Canada

 

 

 

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