![]() |
||||||
|
SHAKSPER 2008: Books to Buy
From: Hardy M. Cook (editor@SHAKSPER.NET) Date: 01/26/08
The Shakespeare Conference: SHK 19.0046 Saturday, 26 January 2008 [1] From: John Robinson <Ucbubba@aol.com> Date: Wednesday, 23 Jan 2008 23:38:33 EST Subj: Re: SHK 19.0040 Books to Buy [2] From: Gabriel Egan <mail@GabrielEgan.com> Date: Thursday, 24 Jan 2008 11:58:59 -0000 Subj: Re: SHK 19.0040 Books to Buy [1]----------------------------------------------------------------- From: John Robinson <Ucbubba@aol.com> Date: Wednesday, 23 Jan 2008 23:38:33 EST Subject: 19.0040 Books to Buy Comment: Re: SHK 19.0040 Books to Buy >On the upcoming digitized Henslowe-Alleyn papers, >Gabriel Egan reassures us: "I'll be happy to report >how to break the locks when the product appears, since it is of course immoral for anyone to >lock this stuff away in the first place." > >Can Gabriel Egan describe his ideal copyright law >for authors living and dead that he would abide by? >Would they or their literary estates be protected? If >so, for how long? What in his law would constitute foul >use? And what penalty would his law assign those >"morally charged" privateers who break it? Knighthood? > >Curious, >Joe Egert Lovely abstract ethical question. Read "Double Fold"....UMI microfilms all old newspapers, libraries destroy hard copies to save space, then pay UMI $$$$$ to buy poor quality micro films of the material they once owned. Now ONLY UMI has the material available on microfilm (for sale of course) and the originals are sold to book breakers or destroyed. Moral of the story, a corporation now owns the rights to a significant portion of our journalistic history. Screw'em all. Bootleg and share ALL public domain material...protect "fair use"...and tell all busy body, frustrated policeman to "piss-off" John Robinson [2]----------------------------------------------------------------- From: Gabriel Egan <mail@GabrielEgan.com> Date: Thursday, 24 Jan 2008 11:58:59 -0000 Subject: 19.0040 Books to Buy Comment: Re: SHK 19.0040 Books to Buy Joe Egert asks: >Can Gabriel Egan describe his ideal >copyright law for authors living and >dead that he would abide by? Would >they or their literary estates be protected? >If so, for how long? What in his law would >constitute foul use? And what penalty >would his law assign those "morally charged" >privateers who break it? Knighthood? I see no need for legal barriers to simple copying of words so long as the meanings and attributions are not distorted thereby. In giving away copies of A. C. Bradley's _Shakespearean Tragedy_ on my website I do not misrepresent Bradley nor take credit for what he wrote, and that's important. The medium by which Bradley's words are conveyed is unimportant. Our copyright laws exist to support the businesses of those who have, until recently, controlled the medium by which most mass dissemination took place: printing on paper. Printing is no longer the best medium for mass dissemination of words, and those laws are an impediment to knowledge. The claim that copyright law protects writers is untrue. I want to be able to copy anybody's words for the purpose of reading and engaging with them, and I am happy for anybody to copy my words for the same purposes. The only "foul use" is misrepresentation, and the best tool to prevent it is open debate. Gabriel Egan _______________________________________________________________ S H A K S P E R: The Global Shakespeare Discussion List Hardy M. Cook, editor@shaksper.net The S H A K S P E R Web Site <http://www.shaksper.net> DISCLAIMER: Although SHAKSPER is a moderated discussion list, the opinions expressed on it are the sole property of the poster, and the editor assumes no responsibility for them.
|
|
|||||