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SHAKSPER 2007: Soliloquies - Truth or Lie...or Overheard?
From: Hardy M. Cook (editor@SHAKSPER.NET) Date: 12/04/07
The Shakespeare Conference: SHK 18.0812 Tuesday, 4 December 2007 From: Larry Weiss <larry@lweiss.net> Date: Sunday, 02 Dec 2007 00:23:46 -0500 Subject: 18.0801 Soliloquies - Truth or Lie...or Overheard? Comment: Re: SHK 18.0801 Soliloquies - Truth or Lie...or Overheard? >for a soliloquy to be a soliloquy, the speaker has to be >unaware that he or she is being overheard--Hamlet's >speech when he knows someone is listening furtively >to him is very different from his speech when we are >overhearing his thoughts, or when he thinks he is >alone. If the utterance is consciously spoken to deceive >another, it loses the "protected" status of soliloquy--first, >because the speaker knows that he or she has an onstage >audience, and second, because the speaker is intentionally >manipulating what is said. Exactly; which is why Malvolio's reaction to the letter is a soliloquy even though he has an onstage audience. _______________________________________________________________ S H A K S P E R: The Global Shakespeare Discussion List Hardy M. Cook, editor@shaksper.net The S H A K S P E R Web Site <http://www.shaksper.net> DISCLAIMER: Although SHAKSPER is a moderated discussion list, the opinions expressed on it are the sole property of the poster, and the editor assumes no responsibility for them.
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