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SHAKSPER 2007: SHAKSPER Roundtable: Presentism
From: Hardy M. Cook (editor@shaksper.net) Date: 02/12/07
The Shakespeare Conference: SHK 18.0130 Monday, 12 February 2007 From: Hugh Grady <hughgrady@comcast.net> Date: Sunday, 11 Feb 2007 20:25:33 -0500 Subject: SHAKSPER Roundtable: Presentism Roundtable: "Whey Presentism Now?" Week Three This week we have a short correction from Cary DiPietro and two longer contributions from Joseph Egert and Hardy Cook. Egert excerpts passages from previous critical comments on Presentism from the SHAKSPER archives, and Cook reproduces part of a message from Larry Weiss, which suggested that the relatively modest number of responses offered in the first two weeks of responses is a sign that the issues raised here are of interest only to a few academics. Cook replies by sketching a history of changing critical paradigms in the last 80-100 years of academic Shakespeare criticism and suggests that the age of new historicism is indeed coming to an end and that Presentism deserves investigation as a possible new direction for the field. I will comment briefly on the two longer posts at the conclusion. ****************** From: Cary DiPietro <carydipietro@hotmail.com> Date: Mon, 5 Feb 2007 20:57:25 -0500 Subject: 18.0092 SHAKSPER Roundtable: Presentism Comment: RE: SHK 18.0092 SHAKSPER Roundtable: Presentism Ammunition for those who will argue that presentism shuns historical accuracy: in my earlier post, I incorrectly attributed Greenblatt's oft-quoted desire to speak with the dead to _Renaissance Self-Fashioning_, rather than the later _Shakespearean Negotiations_. ****************** From: Joseph Egert <quixote46@hotmail.com> Date: Tue, 06 Feb 2007 23:07:08 +0000 Subject: 18.0092 SHAKSPER Roundtable: Presentism Comment: RE: SHK 18.0092 SHAKSPER Roundtable: Presentism Hugh Grady with typical generosity invites >the many critics of the entire enterprise >of presentism among us....to weigh in with reasoned >statements that try to identify the problems and issues with this >approach. Rather than repeat my own reservations from the current "A Question" thread (SHK 18.0067 & 18.0095), I've extracted below some earlier objections from years past on SHAKSPER. All ellipses are mine. David Lindley: "I don't think I was ever trying to argue...for 'the integrity of "fact"' in a simple kind of way. I was rather worrying that the very valuable recognition of the constructedness of history has itself congealed into an over-simple formulation which lifts the responsibility of scholarship from the shoulders of the critic....I'd actually want to go further, and say that abandonment of any notion of the possibility of 'factual' evidence resisting and challenging interpretation has fearsome consequences for our political and social life....Auschwitz - fact or construction?" (SHK 6.0080) "To argue that we can never escape our present as we look back at and reconstruct the past is, it seems to me, a truism. But, pace Terry Hawkes, I do not believe that we cannot therefore escape from that present in any way... I argue to students...that their simple-minded 'presentism'...misses the essential point that the past can challenge us in the present."(SHK 9.1173) "whilst of course I would acknowledge the truth that we make the past in part out of the investments we have in our present (to paraphrase Tom Healy), I do not, as 'presentists' would have me, believe that therefore the careful documentation of the past cannot challenge the constructions we do in fact make."(SHK 12.0342) Sean Lawrence: "the Other exists prior to the self, rather than the self discovering the Other. The other precedes the self, in a non-coincidence which is the an-archical foundation of temporality...The approach of alterity (it approaches us, not the other way around) precedes thematization, precedes knowledge itself, and precedes the existence of the ego who can theorize about whether and how it is possible to approach the past."(SHK 9.1277) "My point was not that the past is an Other which we have to re-create after an encounter. On the contrary, it is -absolutely- whether we recreate it or not. In fact, its absolute claims -its Otherness, qua Otherness- are removed if it becomes the object of our re-presentation. To integrate the past into our categories kills it. It ceases to be Other i[n] the radical sense; in fact, it ceases to be past and becomes present....And my point is that we encounter the past before ideology."(SHK 9.1298) "A great deal of recent theory in our field, heavily influenced as it is by the social sciences, seems to be trying to extend the enlightenment project, 'demystifying' or 'deconstructing' (perhaps in abuse of both terms) everything which cannot be understood in the most banal (albeit sometimes scholastically complicated) terms of power or money. It reduces, in other words, what is Other to the Same....More seriously, presentists seem at times to extend what is only an empirical observation into an imperative, that we ought not allow ourselves to be surprised, to welcome the Other as a stranger."(SHK 14.1544) RDH Wells: "I had assumed...that, like me, you [Terry Hawkes] find the Orwellian implications of radical Presentism deeply depressing. (The job of Orwell's Ministry of Truth is to rewrite the past in such a way as to bring it into line with present policies; for Winston Smith this systematic presentist reconstruction of the past is a crime against humanity far worse than 'mere torture'.)"(SHK 10.0005) Bruce Young: "The discomfort some have with theory may come from its focusing so much on the way things are seen rather than on the things seen....C.S. Lewis commented on the shift from the things seen (or experienced) to the process of seeing (experiencing) and also on the encouragement this shift gives to the reductive impulse, the impulse to explain things away." (SHK 14.1519) Had enough? For more, follow the link below to Graham Good's 1996 "The Hegemony of Theory". http://www.greggsimpson.com/Hegemony.htm Enjoy! Joe Egert *************** From: Hardy M. Cook <editor@shaksper.net> Date: Fri, 09 Feb 2007 10:06:56 -0500 Subject: 18.0092 SHAKSPER Roundtable: Presentism Comment: RE: SHK 18.0092 SHAKSPER Roundtable: Presentism This past week I contributed the following to one of the digests in the "A Question" thread: Response to the Roundtable discussion has not taken off as I expected or perhaps hoped that it would. Maybe I got it wrong. Maybe discussions in the medium of e-mail depend upon relatively immediate exchanges and are not appropriate to the delayed gratification of weekly digests. Anyway, since this thread involves Presentism, might some of the participants here, as one has already this week, consider submitting future remarks to the Roundtable discussion? <http://www.shaksper.net/archives/2007/0114.html> In response, I received several private correspondences. One member wrote to say that he felt I had indeed gotten it wrong and that I should keep all of the procedures for the Roundtable discussion the same, except that I should distribute Roundtable digests daily with weekly comments from the Guest Moderator. Larry Weiss also wrote to me and I quote, with his permission, the first section of that message here: "I am enjoying the discussion and I am not in the least put off by the weekly approach. True, it sacrifices immediacy for thoughtfulness. That is not a bad thing, as I am sure you agree." I replied that "Indeed, thoughtfulness rather than immediacy was what I was trying to encourage." Larry continued, "It might be the subject that has restrained debate. Theory is not the burning issue it was ten years ago, and to someone who is not thoroughly immersed in it (as I confess I am not) the jargon can be off-putting. The debate seems really among a handful of academics at the top of the ivory tower who debate with each other about semantic subtleties which have more to do with describing what they do than what Renaissance authors did. It is caviar to the general." As I was writing my reply to the above, it occurred to me that what I was writing might be appropriate to contribute to Presentism Roundtable. Here it is in a slightly edited form: You may be correct here; however, frankly this is a subject that I find fascinating. In part, it may be because Terry Hawkes began exploring some of his own ideas here. But in a greater sense, I am interested in how what is now called the "Old Historicism" [along with "Philology"] was the foundation of scholarly study when English became an academic discipline; how "New Criticism" challenged it and came to dominate English Departments for thirty to forty years; how so-called "New Historicism" grew out of post-structuralist thinking but was subsequently attacked by feminists and others; how "New Historicism" spread from Early Modern Studies to much of literary studies and then continued to spread into other disciplines perhaps first to History itself; how "New Historicism" became "Historicism" and "Cultural Materialism" became "Materialism"; how "New Historicism" after becoming so dominant in literary studies either disappeared or simply became the new orthodoxy or gradually waned in importance, subtly morphing into something else without clearly announcing what it was becoming; and THEN how "Presentism" challenges "Historicism" and "Materialism" and yet seems to me to be, nevertheless, rooted in the same post-structuralist assumptions that gave birth to "New Historicism." This is all very exciting to me and I don't particularly feel I am "among a handful of academics at the top of the ivory tower who debate with each other about semantic subtleties which have more to do with describing what they do than what Renaissance authors did." My remarks about the establishing of English as an academic discipline are primarily based on my reading of Gerald Graff's _Professing Literature: An Institutional History_ (Chicago: U of Chicago P, 1987) and Terry Eagleton's _Literary Theory: An Introduction_ (2nd ed. Minneapolis: U of Minnesota P, 1996). My remarks about the morphing of "New Historicism" are in part my response to being unable to describe or to categorize the methodology that Stephen Greenblatt used in his _Will in the World: How Shakespeare Became Shakespeare_ (New York and London: Norton, 2004.). Some light was shed by my reading Catherine Belsey's essay "Historicizing new historicism" in the Grady/Hawkes collection _Presentist Shakespeares_ (Accents on Shakespeare. London: Routledge, 2007), yet I keep thinking to myself "What happened to 'New Historicism'"? I include the above ramblings in the hopes that they might stimulate discussion, comments, or reactions. Hardy M. Cook *************** Comments by Hugh Grady Several of the excerpts reproduced by Egert (and I'm begging off from following up on the link he provided) strike me as based on simply assuming the worst about Presentism. There is in fact no way to insulate any critical method from misuse or insure that it will not be employed by the shallow, the ignorant, or the malevolent. I teach plenty of students who drift into the kind of simple-minded presentism mentioned by David Lindley, and I try to challenge them to take a more historically aware direction without losing their presentist insights. I devoted most of my initial post on this subject precisely to make the case that presentism needs historicism-the two are of course dialectically linked. I invite readers to look over the essays in Presentist Shakespeares before concluding that Presentism has "congealed into an over-simple formulation which lifts the responsibility of scholarship from the shoulders of the critic." Let me come out and say it: I value and try to practice good scholarship, and so do others doing Presentist criticism. Then there is our old friend "the facts." I'm going to invoke Terence Hawkes' mantra on this: Facts exist but they don't speak for themselves. Facts only take on meaning in language, and words are not one-to-one maps of reality-they are concepts which represent but do not mirror reality. The dish I'm making for dinner tonight is baking in an oven set at 425 degrees Fahrenheit, and this is a fact. But its expression depends on our constructing scales and instruments to measure heat and a panoply of scientific and cultural institutions that give it meaning. Our grandmothers would have expressed the "fact" quite differently, in a language of "fast" or "slow" ovens, to take one simple example. I would go further and say, with a host of post-Romantic lovers of poetry and drama, that we don't read literature for "the facts." At best they can help us try to understand the originating contexts of the documents we read. They don't give it its meaning. Sean Lawrence's Levinas-based comments are sophisticated and interesting, but I don't have time to do more than gesture at a reply here. I suggest anyone interested might take a look at Ewan Fernie's anthology Spiritual Shakespeares, in particular his Derridean inflection of Levinas's central categories of "I" and "Other" for presentist ends (pp. 13-18). Elsewhere Fernie has emphasized the salient point that to encounter Shakespeare's plays as works of art is, necessarily, to encounter them as they exist in the "now." I would simply add that I don't doubt that the past has existed and that all critics of Shakespeare depend on that knowledge. But precisely because the past is Other, it can never be captured in its precise specificity-whatever that would mean. We can of course attempt to conceptualize it and perform the useful task of trying to imagine what complex cultural documents like Shakespeare's plays would have meant to their original audiences. But we will only have a series of approximations in the end, and any reading of the historical critics of the past will show that their "past" is not our "past." The premise of contemporary Presentist critics is that we are beginning to repeat ourselves in this endeavor, or to be pursuing more and more arcane and ultimately trivial reconstructions in a chimerical search for details that will finally deliver us the disappeared truth. Instead, we might focus on what all of these commentators concede, that the pasts we construct are permeated with our situation in the present, are always allegories of the present in one form or another. We can use that as a starting point for a new critical departure. I think Hardy Cook very usefully summarizes the history of academic Shakespeare criticism here and rightly points out that we should expect that the process of change will continue to develop. As I have written elsewhere, signs of the exhaustion of the new historical paradigm are multiplying, and we have entered a period something like that of the 1970s, when New Criticism and the old historicism had clearly waned, and when a number of different critical methodologies proposed themselves as alternatives. I agree with Hardy that important parts of Presentism take their inspiration from the more Presentist cultural materialism and new historicism of the 1980s-but I don't see a problem with this so long as the analyses produced push in new directions, as I think they do. And I agree that these are fundamental questions for the field and have wide implications, not only for the actively publishing but for all contemporary lovers of Shakespeare. Perhaps this week listserv members might want to pursue these issues-or introduce new ones. _______________________________________________________________ S H A K S P E R: The Global Shakespeare Discussion List Hardy M. Cook, editor@shaksper.net The S H A K S P E R Web Site <http://www.shaksper.net> DISCLAIMER: Although SHAKSPER is a moderated discussion list, the opinions expressed on it are the sole property of the poster, and the editor assumes no responsibility for them.
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