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The Shakespeare Conference: SHK 17.1043  Wednesday, 22 November 2006

[1] 	From: 	Nora Kreimer <norakreimer@fibertel.com.ar>
 	Date: 	Tuesday, 21 Nov 2006 22:05:02 -0300
 	Subj: 	Re: SHK 17.1035 Russian 'Twelfth Night'

[2] 	From: 	Jack Heller <jackheller@kconline.com>
 	Date: 	Wednesday, 22 Nov 2006 07:10:41 -0500 (EST)
 	Subj: 	Re: SHK 17.1035 Russian 'Twelfth Night'


[1]-----------------------------------------------------------------
From: 		Nora Kreimer <norakreimer@fibertel.com.ar>
Date: 		Tuesday, 21 Nov 2006 22:05:02 -0300
Subject: 17.1035 Russian 'Twelfth Night'
Comment: 	Re: SHK 17.1035 Russian 'Twelfth Night'

>Well, yes, my mistake--sort of. Being a translator, I misunderstood what
>Nora Kreimer meant by "original"--somewhat mistakenly herself, she used
>the word to signify a translation of Shakespeare's text into Spanish that
>was used in the sur- or super-titles. The Russian production, of course,
>employs a version in Russian. But it "ain't Shakespeare" either, right?
>
>Best,
>Alfredo Michel Modenessi

Yes, my apologies. It was a Spanish script. You're right! I was somewhat 
mistaken...

Nora Kreimer

[2]-------------------------------------------------------------
From: 		Jack Heller
  <jackheller@kconline.com>
Date: 		Wednesday, 22 Nov 2006 07:10:41 -0500 (EST)
Subject: 17.1035 Russian 'Twelfth Night'
Comment: 	Re: SHK 17.1035 Russian 'Twelfth Night'

>From Terence Hawkes:

>Access from Shakespeare's intense
>height can make all culture's kin.  Just wait till he gets to
>Afghanistan.
>Has anybody ever suggested there was anything political in all this?

Earlier this year, within the cover story of an international issue of 
Time magazine was a photo of a performance of Love's Labour's Lost in 
Kabul. No waiting necessary.

Jack Heller

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