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SHAKSPER 2004: Greenblatt
From: Hardy M. Cook (editor@shaksper.net) Date: 10/21/04
The Shakespeare Conference: SHK 15.1923 Thursday, 21 October 2004
[1] From: David Evett <d.evett@csuohio.edu>
Date: Wednesday, 20 Oct 2004 11:39:43 -0400
Subj: Re: SHK 15.1915 Greenblatt
[2] From: Bruce Richman <brucerichman@mchsi.com>
Date: Wednesday, 20 Oct 2004 11:11:50 -0500
Subj: Re: SHK 15.1915 Greenblatt
[1]-----------------------------------------------------------------
From: David Evett <d.evett@csuohio.edu>
Date: Wednesday, 20 Oct 2004 11:39:43 -0400
Subject: 15.1915 Greenblatt
Comment: Re: SHK 15.1915 Greenblatt
For today I recommend reading the Malvolio-Maria-Sir Toby-Sir Andrew
part of *TN* as farce. Farce is by definition heartless, and labeling
Maria as "viciously instrumental" (I don't know exactly what
"instrumental" is supposed to mean, here) for supplying us with much
amusement, or as a social climber because she makes a marriage that will
allow her to move from genteel servitude to genteel independence, seems
to me generically inappropriate. Her absence from the final scene
parallels the similar absence of a whole suite of upper servants in
other plays whose vigilance has helped save their masters from making
mistakes - Hubert, Adam, Pisanio, Flavius: I'm still trying to figure
out just what this might mean. I would put her, by the way, in another
suite, of little ("the youngest wren of nine" - wrens are notoriously
aggressive) feisty persons, some masters, some servants - the little
Duke of York in *R3*, Moth, Hermia, Falstaff's page, young Macduff, and
maybe Puck and Ariel as well.
David Evett
[2]-------------------------------------------------------------
From: Bruce Richman <brucerichman@mchsi.com>
Date: Wednesday, 20 Oct 2004 11:11:50 -0500
Subject: 15.1915 Greenblatt
Comment: Re: SHK 15.1915 Greenblatt
No characters named Mary in the plays, either, though Marias appear, in
TN, as noted, and in LLL.
Bruce Richman
Columbia, Missouri
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