![]() |
||||||
|
SHAKSPER 2004: Call for Papers: Globalising the English Renaissance
From: Hardy M. Cook (editor@shaksper.net) Date: 04/07/04
The Shakespeare Conference: SHK 15.0839 Wednesday, 7 April 2004 From: Pier Paolo Frassinelli <ppf@languages.wits.ac.za> Date: Wednesday, 7 Apr 2004 11:37:45 +0200 Subject: Call for Papers: Globalising the English Renaissance GLOBALISING THE ENGLISH RENAISSANCE SPECIAL ISSUE OF ENGLISH STUDIES IN AFRICA (2004) Deadline for submissions: 1 SEPTEMBER 2004 Deadline for proposals/abstracts: 1 MAY 2004 Guest editor: Pier Paolo Frassinelli (University of the Witwatersrand) This issue will host papers that address the issue of globalisation in relation to the new directions in teaching and research in the field of Renaissance Literature, Drama and Cultural Studies. Globalisation has changed the way we think about the canon in the English curriculum. 'English literature' is no longer a signifier associated with a national culture, but is now part of the multiplicity of interconnected cultural and literary traditions commonly identified as world literatures in English. The term globalisation itself, however, has become a site of sustained political and theoretical contestation. The emergence of what is commonly called a 'global culture' has often been theorised in terms of a one-way flow from the centre to the periphery. Conversely, a number of critics have argued that this approach obliterates concrete instances of resistance to the processes that globalisation has engendered. Furthermore, by evoking a seemingly shapeless, homogeneous world, the concept of globalisation can be seen to erase the neo-colonial structures of domination and the hierarchies of sex, race and class that cut across the present world system. Within this framework, then, we would be interested in publishing papers that analyse and discuss the ways in which canonical Renaissance texts are re-used, in teaching and research, in ever changing, multicultural contexts, where they confront the tension between the homogeneising impetus of globalisation and the survival and resistance of local cultural forms and practices. Canonical texts and authors, especially Shakespeare, also circulate in the global market in form of books, films, works in electronic media and other kinds of cultural commodities. Another area of interest of this issue, therefore, is the production, circulation and consumption of Renaissance works within the contemporary transnational culture industry. Analyses of specific case studies, as well as more general or theoretical discussions, would be welcome contributions. Thirdly, we would welcome contributions that examine specific texts or cultural phenomena in the English Renaissance in the light of the various theorisations of globalisation, early modern colonialism and the emergence of commercial capitalism. For submissions and further information, please contact: Dr Pier Paolo Frassinelli Discipline of English School of Literature and Language Studies University of the Witwatersrand 2050 Johannesburg South Africa E-mail: ppf@languages.wits.ac.za _______________________________________________________________ S H A K S P E R: The Global Shakespeare Discussion List Hardy M. Cook, editor@shaksper.net The S H A K S P E R Web Site <http://www.shaksper.net> DISCLAIMER: Although SHAKSPER is a moderated discussion list, the opinions expressed on it are the sole property of the poster, and the editor assumes no responsibility for them.
|
|
|||||