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SHAKSPER 2004: Who's Afraid of the Ides of March?
From: Hardy M. Cook (editor@shaksper.net) Date: 03/12/04
The Shakespeare Conference: SHK 15.0664 Friday, 12 March 2004 From: John F. Andrews <shakesguild@msn.com> Date: Friday, 12 Mar 2004 06:23:38 -0800 Subject: Who's Afraid of the Ides of March? WHY BEWARE THE IDES OF MARCH? One way to ward off any apprehensions about the day Shakespeare immortalized in Julius Caesar is to join us on March 15 for a delightful evening with one of the playwright's most admired theatrical interpreters. Speaking of Shakespeare with Director Bill Alexander MONDAY, MARCH 15 Dinner 6:15, Program 7:00 p.m. WOMAN'S NATIONAL DEMOCRATIC CLUB, 1526 New Hampshire Avenue NW $30 for Members of The Shakespeare Guild, The English-Speaking Union, and the WNDC; $35 for Non-Members; $15 for Attendees at Program Only For this event the The Shakespeare Guild will combine forces with the English-Speaking Union and other organizations to host a Speaking of Shakespeare engagement with director Bill Alexander. Mr. Alexander is mounting superb productions of Henry IV, Parts 1 and 2 at Washington's internationally acclaimed Shakespeare Theatre, and he will be leaving at the end of the month for Stratford-upon-Avon, where he'll produce a King Lear for the Royal Shakespeare Company with Corin Redgrave in the title part. Our festivities for the Ides of March will commence with a two-course dinner (including wine) at 6:15 p.m; the program will follow at 7:00 p.m. Mr. Alexander achieved renown for a rendering of Richard III that catapulted Antony Sher to stardom in 1984. His triumphs since then include two other RSC productions with Sir Antony, Moliere's Tartuffe and Shakespeare's The Merchant of Venice. Meanwhile he's given us A Midsummer Night's Dream with Janet McTeer and Pete Postlethwaite, The Merry Wives of Windsor, with Nicky Henson and Lindsay Duncan taking the leads in a show that garnered its director a coveted Olivier Award, Much Ado About Nothing with Roger Allam and Susan Fleetwood, and The Taming of the Shrew with Amanda Harris and Anton Lesser. In the autumn of 2003 Mr. Alexander directed a Titus Andronicus for the RSC which The Daily Telegraph described as "gripping" and The Guardian praised for its "somber dignity." His 1992 Troilus and Cressida for The Shakespeare Theatre earned critical plaudits and endeared him to a cast that responded enthusiastically to the clarity of his artistic vision. ______________________________________________ OTHER EVENTS ON THE CURRENT CALENDAR A Visit to "Mr. Whistler's Galleries" at the Freer SATURDAY, MARCH 13, from 10:45 a.m. to 12:00 noon FREER GALLERY OF ART, Near the Smithsonian Metro Stop on the Mall $10 per Attendee By special arrangement with the Freer Gallery of Art, ESU constituents and their guests are being offered a unique perspective on Mr. Whistler's Galleries, an exhibition that focuses upon the techniques James McNeill Whistler devised in 1883 to display his paintings to best effect in an exclusive London salon on New Bond Street. Using a script by theater artist Cam Magee, actor Jonathan Watkins personifies Whistler's celebrated "Poached Egg Man," a greeter who welcomed patrons to the gallery in a vivid yellow-and-white waistcoat. Ms. Magee will join Mr. Watkins for this exercise in imaginative performance art. __________________________________ An Evening with Writers Michael Dirda and Anthony Hecht THURSDAY, APRIL 1 Dinner 6:15, Program 7:00 p.m. WOMAN'S NATIONAL DEMOCRATIC CLUB, 1526 New Hampshire Avenue NW $30 for Members of The Shakespeare Guild, The English-Speaking Union, and the WNDC; $35 for Non-Members; $10 for Attendees at Program Only You're cordially invited to a memorable evening with two of our city's cultural treasures, Michael Dirda, who delights us every Sunday with his reviews for The Washington Post 's Book World supplement, and Anthony Hecht, a poet and critic whose many laurels include a 2002 Ambassador Book Award from The English-Speaking Union. Both writers are happy reminders of an era when men of letters walked the earth. They admire each other's work, and their conversation with John Andrews will include observartions about two new publications, Melodies Unheard, an enthusiastically reviewed volume of essays in which Mr. Hecht appraises a number of his favorite authors, and An Open Book, a witty, affectionate memoir in which Mr. Dirda recalls the joys and challenges of "Coming of Age in the Heartland." Michael Dirda received a Pulitzer Prize for Distinguished Criticism in 1993, the same year another native of his hometown in rust-belt Ohio, novelist Toni Morrison, garnered the Nobel Prize in Literature. An infectious bibliophile, Mr. Dirda has graced our libraries with Caring for Your Books (1990) and Readings: Essays and Literary Entertainments (2000), and will soon be issuing Bound to Please, a collection of ruminations to be made available by Norton in the fall. Anthony Hecht earned the 1968 Pulitzer Prize for Poetry with The Hard Hours, the second of his seven compilations of distinguished verse. A regular contributor to The New York Review of Books, Mr. Hecht has also enriched our lives with such philosophical reflections as his Mellon Lectures On the Laws of Poetic Art. Among his many prestigious honors are the Bollingen Prize, the Eugenio Montale Award, the Ruth Lilly Prize, the Dorothea Tanning Award, the Robert Frost Medal, and fellowships from the Ford, Guggenheim, and Rockefeller foundations. __________________ These are only a few of the spring events to be publicized in the near future. To reserve spaces, please contact John F. Andrews, President The Shakespeare Guild 2141 Wyoming Avenue NW, Suite 41 Washington, DC 20008-3916 Phone 202 234 4602 Fax 202 234 4639 shakesguild@msn.com _______________________________________________________________ S H A K S P E R: The Global Shakespeare Discussion List Hardy M. Cook, editor@shaksper.net The S H A K S P E R Web Site <http://www.shaksper.net> DISCLAIMER: Although SHAKSPER is a moderated discussion list, the opinions expressed on it are the sole property of the poster, and the editor assumes no responsibility for them.
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