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SHAKSPER 2002: Re: Dancing Masters/Choreographers?
From: Hardy M. Cook (editor@shaksper.net) Date: 12/18/02
The Shakespeare Conference: SHK 13.2434 Wednesday, 18 December 2002 From: Dave Kathman <djk1@ix.netcom.com> Date: Tuesday, 17 Dec 2002 23:18:25 -0600 Subject: 13.2411 Dancing Masters/Choreographers? Comment: Re: SHK 13.2411 Dancing Masters/Choreographers? Emily Winerock wrote: >I'm looking for more information on dancing masters in Shakespeare's >time or others who might have choreographed dances for the plays. I've >heard that music composers were often the dance choreographers/teachers >and would welcome suggestions as to resources to investigate this >possibility. > >For example, there's a Thomas Giles mentioned as a dancing master by >Chambers in 'The Elizabethan Stage' and recorded as getting paid for >making dances for masques in Hertford & Simpson's 'Ben Jonson [Works]'. >Chambers suggests that this may be the same Thomas Giles who was almoner >of St. Paul's and involved with the boy players. Have there been any >more recent findings? Yes, there have; these were two different people. The Thomas Giles who led the boy players was appointed almoner and master of choristers at St. Paul's on 22 May 1584, and was buried at St. Gregory on 4 July 1600 as "Mr Thomas Giles one of the vicars chorall and Amner of St Paules Church". (See Reavley Gair, "Masters of the Choristers at St. Paul's", Notes and Queries, December 1977, 521-2; also Reavley Gair, "The Conditions of Appointment for Masters of Choristers at Paul's (1553-1613)", Notes and Queries, April 1980, 119-21.) Thomas Giles the dancing master was appointed dancing master to Prince Henry by patent dated 23 December 1605, receiving a salary of 100 marks per annum plus 50 pounds per annum for diet. He choreographed the dances for Ben Jonson's masque *Hymenai*, performed on 5 January 1606, and was praised by Jonson in the printed text. He subsequently performed in Jonson's *Masque of Beauty* (1608) while also choreographing the dances, and choreographed Jonson's *Haddington Masque* (1608), *Masque of Queens* (1609), and *Oberon* (1611), and for Campion's *Lord's Masque* (1613). He made his will on 1 September 1617, and it was proved on 5 September. (See Andrew Ashbee and David Lasocki, *A Biographical Dictionary of English Court Musicians 1485-1714* (1998), 484-5, and E. A. J. Honigmann and Susan Brock, *Playhouse Wills 1558-1642* (1993), 110.) >Chambers also mentions Thomas Cardell and Jerome Heron as dancing >masters involved in courtly entertainments and a dancing school kept by >Richard Frith who rented a Blackfriars property in 1561, but I haven't >found any more information about these gentlemen. I'm not sure about Cardell and Heron (also spelled Herne); I'm sure more information about them must be out there in the archives somewhere, but it hasn't made it into any published sources that I know of. Margaret Frith, widow of Richard Frith, citizen and minstrel, made her will on 15 May 1595 and added a codicil on 13 February 1602, and the will was proved on 6 March 1605. (See William Ingram, "Minstrels in Elizabethan London: Who Were They, What Did They Do?", *English Literary Renaissance* 14 (1984), p. 40.) This indicates that Richard Frith had been a freeman of the Company of Musicians and Minstrels, and as such he's very likely to have been the dancing master of that name. The Musicians and Minstrels were a London livery company whose members were engaged in all performing arts involving music, of which dancing was certainly one. (I suspect that some professional actors were also members, but unfortunately almost no company records survive from before 1700.) >Similarly, I have Naylor's 'Shakespeare and Music', which has a nice >section on music and dance, but it was written in 1896. Is it outdated? Yes. A lot has been discovered in the last 106 years. Some books to look at are P. J. Seng, *Vocal Songs in the Plays of Shakespeare* (1967); J. P. Cutts, *La musique de la scene de la troupe de Shakespeare* (1959); F. W. Sterfeld, *Music in Shakespearean Tragedy* (1963); J. H. Long, ed., *Music in Renaissance Drama* (1968); and B. N. S. Gooch and D. Thatcher, eds., *A Shakespeare Music Catalogue*. The article on Shakespeare in the *New Grove Dictionary of Music and Musicians* (2000) has a good bibliography. Dave Kathman djk1@ix.netcom.com _______________________________________________________________ S H A K S P E R: The Global Shakespeare Discussion List Hardy M. Cook, editor@shaksper.net The S H A K S P E R Web Site <http://www.shaksper.net> DISCLAIMER: Although SHAKSPER is a moderated discussion list, the opinions expressed on it are the sole property of the poster, and the editor assumes no responsibility for them.
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