![]() |
||||||
|
SHAKSPER 2001: Re: Tragic Hero
From: Hardy M. Cook (editor@ws.bowiestate.edu) Date: 03/30/01
The Shakespeare Conference: SHK 12.0748 Friday, 30 March 2001 From: Don Bloom <dbloo@asms.net> Date: Wednesday, 28 Mar 2001 08:33:43 -0600 Subject: 12.0705 Re: Tragic Hero Comment: Re: SHK 12.0705 Re: Tragic Hero Clifford Stetner writes: > The attrocity perpetrated by Lorenzo on Shylock . . . " The noun puzzles me. Does he really consider Lorenzo's action an atrocity? Would he say the same about what Lysander does to Egeus in MSND? If Jessica and Lorenzo are truly in love, and he marries her, what's the atrocity? Or was it the theft of the jewel box? We may take a fairly absolute moral stance about stealing as a crime (or sin), but most of us have an escape clause based on the immorality of the victim of the theft. In one era, King John and Sheriff of Nottingham justify an array of crimes. In another era, Hitler and the Nazis, or Stalin and the KGB, or -- well, you name it. My concern is with the danger of misunderstanding the play. Shakespeare clearly intended Shylock to be a villain -- greedy, malicious, and vengeful. In his time, nobody expected Jews to be anything else, so that they deserved any punishments they received. To the author, what Lorenzo does is part of the general comic mood of the play -- the lovers are united against the wicked father's wishes, and the vicious miser gets his comeuppance -- and is parallel to the main plot action which has the same results worked out with more complexity. If we -- living in a time a little more capable of seeing the cruelty and injustice of all bigotry, and troubled by the shadows of the death camps -- read back into the play things that Shakespeare never intended, exaggerating the passages that make Shylock sympathetic to the point where he becomes a figure a tragedy, we are left with a chaotic bit a business that has lots of dramatic scenes and no coherent meaning. If we leave it alone, and allow ourselves to accept the underlying bigotry, then it all makes perfect sense. In some cases, this may be too much to endure, and "Merchant" may be one of them. But in those cases, it would probably be wise to leave them alone. (Personal anecdote: I remember years ago leafing through a National Geographic article on the new Spain (post-Franco), and seeing a quotation from a man who truly missed the "good old days" of Fascist rule and spoke lyrically about how much better they were than the current days of freedom. The man was a retired army sergeant. I remembered the type well from days long past when I couldn't -- unlike now and for the past thirty years -- shun such people. I could easily imagine the sort of person who would much prefer a country ruled like a Marine company, for whom the values that I hold dear are irrelevant or outright evil, and whose own values are often repugnant to me. But his lyrical nostalgia for fascism synthesized for me this problem of understanding other ways of thinking and evaluating what we see around us.) Regards, Don _______________________________________________________________ S H A K S P E R: The Global Shakespeare Discussion List Hardy M. Cook, editor@bowiestate.edu The S H A K S P E R Webpage <http://ws.bowiestate.edu>
|
|
|||||