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SHAKSPER 2000: Re: How Shakespeare Invented History
From: Hardy M. Cook (editor@ws.bowiestate.edu) Date: 04/17/00
The Shakespeare Conference: SHK 11.0823 Monday, 17 April 2000. From: Clifford Stetner <clifford.stetner@gte.net> Date: Saturday, 15 Apr 2000 17:06:14 -0400 Subject: 11.0761 Re: How Shakespeare Invented History Comment: Re: SHK 11.0761 Re: How Shakespeare Invented History Tony Burton says: >So as I read the sequence, the direction of growth is from a group >mentality to an individual mentality, which I think can be described >loosely speaking, as progress. Granted, the excesses of untutored >individualism were, as they still are, grievous and noticeable, David Riesman would attribute this "progress" to the printing press, which turned reading into a universal activity. It is in reading, he argues, that we develop "inner-direction," and this process allowed the culture to progress from the "tradition-direction" of pre-modernity. Marx, on the other hand, would attribute it to the rise of primitive accumulation (i.e. incipient capitalism) whose growing influence contributed to an individualistic world view for reasons that should be obvious. The Merchant speaks "alwey th'increas of his wynning." Since we have yet to witness the consequences of global climate change brought about by the excesses of untutored individualism, I think we must suspend judgment as to whether this change can in any way be considered "progress." >This is not to say that the barons themselves might not have agreed with >the "advance to barbarism" description of the tetralogy sequences, but I >wouldn't saddle Shakespeare with that point of view. He seems usually >to be one step ahead of his readers, not behind them I think his views developed over the course of his career, and that the principles he embraced during the early period of comedies, he came to revile in the middle period of his tragedies. I certainly don't think he was unambiguously in favor of the progress to individualism. The Edmund/Goneril/Regan faction has been used as evidence of a certain antipathy, while Lear's retainer problem is evidence of some sympathy with the Barons. Clifford
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