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SHAKSPER 2000: Freedom, fate, theatre
From: Hardy M. Cook (editor@ws.bowiestate.edu) Date: 01/04/80
The Shakespeare Conference: SHK 11.0099 Monday, 17 January 2000. From: Lucia Anna Setari <hobbyhorseoo@yahoo.com> Date: Sunday, 16 Jan 2000 02:01:26 -0800 (PST) Subject: 11.0082 Freedom, fate, theatre Comment: Re: SHK 11.0082 Freedom, fate, theatre This is just a little note in the margin. Reading your letters about play, freedom and fate, a film came to my memory and I wonder if some of you know it. Its title is: 'Che cosa sono le nuvole?' (What are the Clouds?) and it is a precious little work by the Italian poet Pier Paolo Pasolini. In a small and poor theatre there is a puppet-show. The audience is common people (very poor people) and the play is a very simplified version of Othello. During the play the puppets (which are interpreted by actors, tied with threads to a hidden showman) behind the wings start to wonder about their fate and the sense of their life: Othello, for example, (who is a very simple young man) after having resolved on stage to kill Desdemona, cannot make out how it could be that he, who thinks to be a good boy, will turn into a murderer, and Jago (who is an older man) tries to comfort him with some philosophical answers about life being a dream within a dream (while the intellectual showman suggests some Freudian explanations). At last, when Othello is about to kill the lady, the spectators revolt against the puppets: they break into the stage and pull to pieces Jago and Othello. So the broken puppets are thrown away, and for the first time in their life they go out of the theatre. Laying among the sweepings, with wonder they discover the sky and the white clouds. Then Othello asks Jago: - What are those?- - They are the clouds. - Answer the philosophical Jago. - And what are the clouds? - Othello insists. Then Jago, with a sigh: - Ah, the heartrending, the wonderful beauty of the creation! Yours Lucia Anna S.
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