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SHAKSPER 1999: Re: Hamlet
From: Hardy M. Cook (editor@ws.bowiestate.edu) Date: 10/20/99
The Shakespeare Conference: SHK 10.1777 Wednesday, 20 October 1999. From: Lucia Anna Setari <hobbyhorseoo@yahoo.com> Date: Tuesday, 19 Oct 1999 14:10:45 -0700 (PDT) Subject: 10.1764 Re: Hamlet Comment: Re: SHK 10.1764 Re: Hamlet Dana Shilling wrote: >"The woman" in Hamlet is perceived negatively-i.e., >when Laertes tries >but is unable to avoid crying for Ophelia, he says >that now "the woman" >is out once he finishes crying. Yet Hamlet the play expresses more complex things than its characters do. I cannot but notice that when Hamlet tries to suffocate the woman he too has within himself - i.e. when he, because of his disgust at his mother behaviour, tries, generalizing, to extirpate the woman side from his inner world, to stop unpacking his heart with words and to take upon himself the very manly task of revenge - the earth turns itself into a "sterile promontory" to his eyes. I think that the sterility of Denmark's Court is not a secundary aspect of the play which shows a place lacking mothers. They are dead or phisically absent (like Ophelia's) or have given up playing the role of the mother. Hamlet's mother, in fact, not only seems sterile for having exceeded the age-limit to give birth to children, but also has turned herself into the wife and the shadow of her son's step-father, into his aunt, into a sort of Queen of hearts -. The only other woman in the Court is a "daughter", the young Ophelia, which (because both Hamlet and her male relatives mistrust "the woman") is ready to, but is prevented from giving birth (and, in this connection, it seems also meaningful to me that the motherless girl does not have even a nurse at her side). Ophelia loses her sense (in every sense) and dies because she is left with no room at all in the "sterile promontory". Yet her (the woman's) death anticipates the unavoidable death of the whole Court. Lucia Anna S.
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