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SHAKSPER 1999: The SHAKSPER Editorial Advisory Board
From: Hardy M. Cook (editor@ws.bowiestate.edu) Date: 10/11/99
The Shakespeare Conference: SHK 10.1723 Monday, 11 October 1999. From: Hardy M. Cook <editor@ws.bowiestate.edu> Date: Monday, October 11, 1999 Subject: The SHAKSPER Editorial Advisory Board A few weeks ago, I announced my decision to establish a SHAKSPER Editorial Advisory Board to advise me about essays that will be mounted on the SHAKSPER archive and available on the SHAKSPER web site when it is available. This does NOT mean that I am establishing an electronic peer-reviewed journal. Quite the contrary, many of these paper may be drafts that are not yet ready for publication. Others could be SAA seminar papers, posted on SHAKSPER so that the author will not need to respond to every request for a copy. Others could be pre-prints, post-prints, or works in progress. My major concern is that the level of discourse of the available papers be such that they represent SHAKSPER well to the scholarly community at large. Below are the brief biographies of the member of the SHAKSPER Editorial Advisory Board. I am still retaining my now Senior Advisory Board, established to advise me on issue of policy and matters for which I feel the need of input from representative member of the Conference. The members of the Senior Advisory Board are also appended below. ****************** The SHAKSPER Editorial Advisory Board Boris, Edna Z. <104757.652@compuserve.com> Professor of English at LaGuardia Community College, City University of New York. Founder and director of Words/Worth Associates, Inc., which provides writing skills and management skills training programs for lawyers and other business professionals. Author of Shakespeare's English Kings, the People, and the Law: A Study in the Relationship Between the Tudor Constitution and the English History Plays (Associated University Presses). An article about "C.R.A.S.S. Summer of 1995" appeared in Shakespeare and the Classroom (spring 1996). An article on "Teaching Shakespeare: Non-Traditional Research Topics" appeared in The Shakespeare Newsletter in the spring of 1993. Another Shakespeare-related publication includes "To Soliloquize or Not to Soliloquize." Q/W/E/R/T/Y, Arts, Littératures & Civilisations du Monde Anglophone published by the University of Pau in France. 6 (October 1996): 23-28. Drakakis, John <john.drakakis@stir.ac.uk> Professor of English Studies, University of Stirling, Scotland General Editor of Routledge English Texts Series and the New Critical Idiom Series. Editor of Alternative Shakespeares (1985), Shakespearean Tragedy (1992), New Caebook Antony & Cleopatra (1994), Shakespeare Originals Richard III Q1 (1996), Tragedy (with Naomi Liebler) (1998). Member of editorial boards of Textual Practice and Critical Survey. Has published articles and chapters on Shakespeare, Renaissance Drama, Critical Theory. Currently working on Arden 3 The Merchant of Venice and a book entitled Shakespearean Discourses. Donaldson, Peter S. <psdlit@mit.edu> Ann Fetter Friedlaender Professor of Humanities and Head of the Literature Faculty, MIT. Director, Shakespeare Interactive Archive. Feuer, Lois <lfeuer@DHVX20.CSUDH.EDU> Lois Feuer is Professor of English and Coordinator of the Humanities Program at California State University, Dominguez Hills, where she has taught for many years. Holding a doctorate from UC Irvine, she has written on Shakespeare and on modern fiction. Her most recent publication joins these two interests: "Joyce the Postmodern: Shakespeare as Character in Ulysses appeared this year in The Author as Character, ed. Ton Honselaars and Paul Franssen (Fairleigh Dickinson Press, 1999). She has a particular interest in Shakespeare's relation to other authors, in historical drama, and in dramatic structure. She and her archaeologist husband Bryan live in Manhattan Beach, California with their 17-year-old son Daniel. Flannagan, Roy <flannaga@oak.cats.ohiou.edu> Professor of English, Ohio University. Editor, Milton Quarterly. Editor, The Riverside Milton (Boston: Houghton Mifflin, 1998). Who's Who, 2000. President, Council of Editors of Learned Journals, 2000-2001. Advisory Board, EMLS, RETS, Humanist, Ficino. Regular reviewer for Shakespeare Quarterly, JEGP, etc. Interests in Shakespeare's names, performance, Shakespeare on film. Gorfain, Phyllis <phyllis.gorfain@oberlin.edu> Phyllis Gorfain is a Professor of English at Oberlin College. Her specialities include folkloristic studies, with an emphasis on play, games, riddles, ritual, and performance; she has written on Shakespeare and ritual, riddles, textual issues and performance, puns and the body in articles appearing in a variety of venues. She teaches Shakespeare and early modern courses centering on issues such as feminist criticism: gender, race, and empire; domestic violence in early modern drama; play, performance, and ritual in Shakespearean drama. Lidh, Todd M. <tmlidh@email.unc.edu> Todd M. Lidh is currently completing his PhD in Renaissance and dramatic literature at the University of North Carolina-Chapel Hill. Todd earned his BA at Troy State University (AL) with a dual degree in English and Foreign Languages (minors in drama and math) and his MA at Georgetown University in English. He has been a peer-tutor, a magazine and newsletter editor, freshman-class advisor, study abroad coordinator, self-study report editor nd university teacher; his immediate pursuits involve tennis, martial arts, outdoor drama, distance instruction and securing a permanent teaching position in the next year. Lindley, Arthur D. L. <elllindl@leonis.nus.edu.sg> Arthur Lindley is an Associate Professor in the English Dept. at the National University of Singapore, specializing in Late Medieval English Literature, Renaissance Lit., and Film Studies. He is the author of <Hyperion and the Hobbyhorse> (1996), a study of carnival and Augustinian theology in Chaucer, the Gawain-Poet, Marlowe, and Shakespeare (chapters on Hamlet and Antony and Cleopatra). Two articles on A&C are forthcoming Proceedings volumes. Recent conf. papers include Commerce in Antony and Cleopatra for Material Shakespeare (Brisbane, 1998) and Welles's Macbeth for the Shakespeare on Screen Conf. (Malaga, 1999). Luhrs, Eric <eluhrs@nbcs.rutgers.edu> I graduated from Fairleigh Dickinson University (Madison, NJ) in 1998, with a B.A. in English Literature. I am currently enrolled as a part-time graduate student at Rutgers University, where I also work full-time as a technical Unix consultant. Aside from work and class, I maintain the "Shakespeare Bulletin" website (www.shakespeare-bulletin.org), as well as "King Lear Resources on the Web" (kinglear.rutgers.edu). I enjoy watching and reviewing Shakespeare performances, attending Shakespeare conferences, and finding ways to use my technical skills in the service of Shakespeare studies. Peterson-Kranz, Karen <tlb@kuentos.guam.net> Karen Peterson-Kranz teaches literature and composition in the department of English and Applied Linguistics at the University of Guam. Formerly she taught in the Faculty of English Education, Miyazaki National University, Miyazaki, Japan. She received her M.A. from the University of Washington, and is currently completing a dissertation on female displacement and models of reproduction in Shakespeare's Sonnets at the University of Wales. Her research interests include print culture in early modern England, cultural studies, post-colonial theory, and the teaching and reception of Shakespeare in non-Western and multicultural environments. Tate, Joseph <jtate@u.washington.edu> Joseph Tate was born in Greenville, South Carolina. He graduated with a dual BA in English and History from the University of South Carolina. For part of his undergraduate education he studied Renaissance history and literature at the University of Warwick in Coventry, England. He received my Masters degree in English from the University of Washington in 1998 and is currently completing my PhD in English. He has delivered papers internationally and published on Renaissance drama and poetry, specifically on early modern audience's physical and emotional responses to Shakespeare's imagery and meter. Currently, he has a manuscript under consideration that outlines a different method of teaching imagery in literature classrooms. He has also published poetry in several forums. Williams, William <tb0wpw1@corn.cso.niu.edu> William Proctor Williams is a Professor of English at Northern Illinois University. He teaches courses in Bibliography and Methods of Research and Shakespeare. He is the Editor of the New Variorum Titus Andronicus, and he has published many books, articles, and reviews. His second edition of A Bibliography of the Writings of Robert Graves appeared in 1987. He has been the editor of the journal Analytical & Enumerative Bibliography since 1977. The third edition of An Introduction to Bibliographical and Textual Studies (MLA), co-authored with Craig S. Abbott, appeared in 1999, and his critical edition of the dramatic works of Cosmo Manuche (1613-1673?) is nearing completion. ******************* The SHAKSPER Senior Advisory Board Michael Best Tom G. Bishop Edna Z. Boris Ralph Alan Cohen Kurt Daw Roy Flannagan Phyllis Gorfain Terence Hawkes Dale Lyles Cary M. Mazer Michael Mullin David Schalkwyk Raymond Siemens
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