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SHAKSPER 1999: (no subject)
From: Hardy M. Cook (editor@ws.bowiestate.edu) Date: 06/09/99
PUT SHAKS-80 BIOGRAFY PW=RARMIN S H A K S P E R Shakespeare Electronic Conference Member Biographies - Volume 82 ============================================================= *Morgan, Sarah <SMorgan4@ompus.jnj.com> I read your Washington Post article this morning at work and found it very interesting. I'm a college student, now a senior, at Fairleigh Dickinson University in Madison, New Jersey. I'm not by any stretch of the imagination a scholar of Shakespeare, but I love what I do know of his works. I'm planning to study at Wroxton College in the fall, Fairleigh Dickinson's campus in England, and a large part of my desire is that their Shakespeare classes are taught by members of the Royal Shakespeare Company and include trips to the Globe theater to see plays. Your discussion group sounds fascinating. As I've implied, I'm not sure how much of substance I might be able to offer, but I would love to be able to be a quiet part of the conversations. ============================================================= *Carawan, Tal <talstar@geocities.com> Tal Carawan, Jr.: Actor with a desire to perform Shakespeare Most recent performance- as Don Pedro in Much Ado about Nothing, at a community theater in N. Virginia Aspirations- First and foremost, to perform with the Shakespeare Theatre in Washington, D.C. and (until invited there!) succeed in other professional venues in stage and film I have also have written two screenplays, a short play, and a novel, and am currently working on a one act play. ============================================================= *Markus, Zoltan <zqm5721@is.nyu.edu> Name: Zoltan Markus Department: Dept. of Comparative Literature Institution: New York University, NY Current Status: ABD My dissertation titled "Shakespeares at War: the Cultural Appropriation of Shakespeare in Berlin, Budapest, and London during World War II" is a comparative study focusing on the public reception and cultural appropriation of Shakespeare in these three European cities in the 1930s and 1940s. ============================================================= *Carlson, Steve <scrlsn@HOTMAIL.COM> I am really looking forward to becoming a part of SHAKSPER. I have been a fan of Shakespeare's for many years. I am continually amazed by his use of language. And I am very interested in engaging in dialogues with the members of the list. As a high school English teacher, I am seeking to learn more about Shakespeare and his plays both for my own growth and enjoyment and for use in the classroom. Again, I really look forward to "talking" with all of you about some of the greatest literature written in English. ============================================================= *del Valle, Elena Fernandez <jyemarine@compuserve.com.mx> I was born in 1957 to parents with a great love for books and learning. Spanish is my mother-tongue and, as I was raised in Mexico City, it was the language in which I first learned to read and write. I have been a voracious reader since the age of five. During my elementary school years I spent many an afternoon with Jules Verne, Charles Dickens, Mark Twain, Louisa May Alcott and Homer (yrs, I loved The Odyssey, and Little Women too). Later came Don Quixote and a first encounter with Shakespeare in a Spanish translation. My English became good enough to tackle "David Copperfield" or "Wuthering Heights" when I was leaving high school. By that time I began to read in French. A strong, parallel interest in Biology made me go for a medical degree instead of Literature or Modern Languages. I became a psychiatrist and, years later, a Freudian psychoanalyst. Reaching back to my first love for Literature, my main interest in Psychoanalysis lies now on the study of creative processes To me, the great literary classics are more inspiring, more illuminating on the subject of human nature than most psychoanalytical writers. Up to a point, I find Harold Bloom's opinion "All Freud is in Shakespeare" to be true. Following Dr Robert Coles, I ask my students to read from the classics whenever I teach a course for psychotherapists in trainig at the Centro de Estudios de Posgrado de la Asociación Psicoanalítica Mexicana. A small group of students meets periodically at my office to read and discuss Shakespeare's works. ============================================================= *Benoit, Ronald <RBenoit@IKON.COM> I am an Actor and a Reader and a Person which is to say that I Read about life and then I practice what I've read on Stage and then I Live what I've practiced during my daily activities. For the past year I have been performing on-stage in "The Complete Works of William Shakespeare (Abridged)" throughout Connecticut for a touring production company. It is a comedy which covers each and every Shakespearean play and sonnet. Acting does not pay the bills, hoever and I currently am employed at IKON Office Solutions in Connecticut - I sell technical computer network and development training to major corporations, (including all Colleges and Universities). My overall favorite author is Thomas Pynchon and my favorite book is "The Giving Tree" by Shel Silverstein. ============================================================= *Beam, Kelly <KLBEAM@COMPUTRON.NET> Currently I am a graduate student at the University of Houston-Clear Lake. This summer I am (theoretically) researching my thesis and hope to be writing and defending in the fall. My thesis revolves around Shakespeare's jesters although actual direction is still up for grabs. My undergraduate degree is in marketing, and I currently teach adjunct fundamental English at a local community college. My teaching experience has not been as fulfilling as I fancied, so my future is frighteningly without direction. If possible, I would be a literature student indefinitely, but reality is pressing. Considering law....yes, yes I know. ============================================================= *Baumgaertner, Jill Pelaez <Jill.Baumgaertner@wheaton.edu> I would like to subscribe to the SHAKESPER list. I am Professor of English at Wheaton College where I teach in the are of Sixteenth- and Seventeenth-Century British literature and Creative Writing. I have published a poetry textbook with HBJ, a book on the work of Flannery O'Connor, three volumes of poetry, and numerous articles in publications such as John Donne Journal, Review of English Studies, Hispanofila, Durham University Journal, etc. Currently I am working on a book with a New Historicist slant-on a number of works, including the King James version of the Bible and poems and plays by Donne, Shakespeare, and Aemilia Lanyer --all of which were published or performed in 1611-12. ============================================================= *Moody, Ellen <ellen2@jimandellen.org> You can go to my homepage and read my biography and résumé and a list of my publications there: http://mason.gmu.edu/~emoody. You will find that I am still in the midst of attempting to put my complete translation of the poems of Vittoria Colonna onto the page. You will also find a half-finished biography of Anne Finch and annotated chronology of her poems. There is a small section devoted to Veronica Gambara, a translation of her Quando miro and accompanying bibliography. There is a section devoted to my drawing of calendars from each of Jane Austen's novels and to a group read I led on Clarissa on Clary-l. My publications were until a few years ago all on the 18th century or Renaissance my original areas (Katherine Philips; Anne Cecil, wife of the man whom some would give Shakespeare's oeuvre to); I have kept up by writing reviews which are listed on the resume (they appeared in scholarly journals). PQ will be publishing my A Calendar for S&S next fall. My interests have changed somewhat. I will not let go of my original vocations and loves: I have been asked to write a narrative life and pick out some poems by Anne Finch for a musical program centering on her life which will tour England next year; the group performs 16th through 18th century music, _Musica Dolce they call themselves. Still I have moved on to the nineteenth century-this partly as a result of my long experience on two Trollope lists and Victoria. I wrote a book on Trollope and my experiences on the Net writing about him. It is scholarly but also meant for the common reader. It will be the free book for the Trollope Society in England and is to be published by Hambledon Press; the title is Trollope on the Net. John Letts, chairman of the Society has now asked me to write and to deliver the lecture to be given at the annual AGM in London. I think that more or less covers the ground of what I am doing as a scholar, teacher and writer-author and reader. My Ph.D. is from the Graduate School of the City University of New York; it was called Richardson, Reverie, and Romance. I am interested in French literature too and read French fluently. I teach at George Mason University as a part-time adjunct lecturer. Under 'teaching' on the homepage you can see my activities there. I love Shakespeare. I once had a dream of writing my dissertation on Cymbeline. ============================================================= *Rydberg-Cox, Jeffrey <jrydberg@perseus.tufts.edu> My academic training is in the field of Classics and Ancient History. I obtained my Ph.D. from the Committee on the Ancient Mediterranean World at the University of Chicago in 1998. My primary scholarly interests are in ancient Greek rhetoric, myth, and religion and also in the computational analysis of ancient Greek texts.. I have a handful of articles on classical topics in print and I have a book on Lysias under contract that will appear in October, 2000. I am currently working as the Assistant Editor for Greek Language and Lexicography at the Perseus project (www.perseus.tufts.edu) located in the Department of Classics at Tufts University. I have two primary areas of responsibility: 1> editing reference works for the study of ancient Greek texts for electronic publication at the Perseus project and 2> adapting the methods of corpus linguistics to ancient texts. The Perseus project is also involved in the electronic publication of the New Variorum Shakespeare series and I am peripherally involved in this project as well. ============================================================= *Brookes, Tim <tbrookes@zoo.uvm.edu> I'm a lecturer in the English Department at the University of Vermont. My interest in Shakespeare arises not in the usual scholarly way, but because I'm a writer. (At UVM I primarily teaching writing classes.) I'm writing a novel set in 1594/5, and I may also be doing a project on Shakespeare for National Geographic. With this in mind, I'm very grateful for expert help and suggestions on certain specific questions that may not be answered in the general books on Shakespeare. At the moment, for example, I'm trying to find out as much as I can about Richard Topcliffe. ============================================================= *McDermott, Kristen <Krismcd@aol.com> Kristen McDermott, formerly Assistant Professor of Renaissance Literature at Spelman College, joins the English Department of Central Michigan University in August 1999 as Assistant Professor of English Literature before 1800. Her areas of specialty are Ben Jonson, Renaissance Drama, and Shakespeare. She is currently editing "Masques of Difference," a selection of Jonson's masques, for the Student Revels Editions published by U Manchester Press. Her most recent article, "Puppets, Poets and Paternity," appears in "Critical Essays on Ben Jonson," edited by R.N. Watson for G.K. Hall. Her dissertation, completed in 1995 for UCLA, is "Locating Jonson in Bartholomew Fair." She has also written "Staging the Classroom" for Shakespeare Magazine (Spring 1998) and is interested in incorporating performance techniques and multimedia technology into the teaching of Shakespeare. Her husband, Ari Berk (PhD in Comparative Literature and Cultural Studies, U of Arizona), also joins the CMU English Department as Assistant Professor of Folklore, Mythology and Native American Literature. ============================================================= *Pressler, Charlotte <pressler@acsu.buffalo.edu> Charlotte Pressler is a Ph.D. student in the English Department at SUNY at Buffalo, specializing in Renaissance literature. Her dissertation, "Enargeia: Presentational Rhetorics and Renaissance Poetics from Petrarch to Shakespeare," studies the ways in which theories of the imagination or phantasia, as found in Renaissance medical and philosophical writers, affected Renaissance rhetoric and poetics. The works discussed in the dissertation include a number of Shakespeare's plays, as well as the Secretum of Petrarch, the plays of the early Tudor reformer John Bale, and the sixteenth century prose fictions of Bandello, Fenton, Painter, and Riche. An excerpt from her dissertation, "Passing from Play to Play: The English Novella as Mediating Genre in the Sixteenth Century English Response to Italian Comedy," was presented at the 1999 Shakespeare Association meeting, and may be found in the SHAKSPER archives. Her other interests include: literary theory as practiced in the Renaissance, neo-Latin literature, and gender and sexuality theory. She has recently completed a research trip to the Warburg Institute Library, funded by SUNY at Buffalo. ============================================================= *Terry, David <magius@wpi.edu> I am currently a junior at WPI. At this institution we are required to participate in the Humanities in order to be more well rounded students. Having been very interested in Shakespeare in High School I thought that I would pursue this route further in college. I have no completed several classes on Shakespeare and I'm in the process of writing a large research paper. I hope to continue my education concerning Shakespeare as I mature in my educational endeavors. I feel that SHAKSPER will be very helpful to gain incite to current scholarly topics. Current Project: As stated briefly before I am working on a large research paper. I have done work concerning how different productions of Shakespeare plays often grant the viewer a much different perspective. I plan to extend this project to view how different cultures make Shakespeare their own and the effect of this on the overall production. =============================================================
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