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SHAKSPER 1996: Q: Teaching: Video, Stage Performance, and Reading
From: Hardy M. Cook (hmcook@boe00.minc.umd.edu) Date: 12/03/96
Shakespeare Electronic Conference, SHK 7.0906. Tuesday, 3 December 1996. From: Bob Dennis <rdennis@nesdis.noaa.gov> Date: Monday, 02 Dec 96 08:55:32 -0500 Subject: Re: Teaching: Video, Stage Performance, and Reading A general question, or two: Over the holiday I talked with my twin nephews who are each taking Shakespeare courses this semester (different courses, same university). One is reading a selection of the plays from Bevington's edition, apparently with a lot of sniping and corrections offered by the professor in class. The other, however, shocked me with the comment that they were only watching videos of the plays. They do not use the printed texts. I wonder what the different experiences will bring each of them. And I wondered just what percentage of students experienced the different teaching options. Has anyone compiled (actually taken data!) on the distribution of methods for teaching Shakespeare, i.e., how many professors teach a certain method and how many students are exposed to a given method? How much teaching is done using the texts only; texts mixed with a selection of video and/or live performance; text mixed with student performances; video only; etc.? If no one has looked into this, I would be interested and willing to undertake such a study. But I do not feel any need to reinvent the wheel. I would also like to mention another shocker to me. The nephew taking the video-Shakespeare talked about his course in the American novel. Among other works they are "reading" Moby Dick, The Sun Also Rises, and Absalom, Absalom. I put the "reading" in quotes because when I was enthusiastic about the Faulkner and mentioned the beginning word, Ikkemotube, and the subsequent stream of consciousness derivation of the Sutphen clan, my nephew said apologetically that he had not read that part: they were told to begin at Chapter 7 because the beginning parts were too difficult. Pardon my naivete, but I thought that was why the professor was there. Any comments??? I ask only in relation to teaching the "difficult" stuff, since such occurs in Shakespeare as well as the American Novel. I do not mean to pull us away from Shakespeare. Humbly curious, Bob Dennis rdennis@nesdis.noaa.gov
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