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SHAKSPER 1993: *H5*: Mountjoy in Performance
From: Hardy M. Cook (hmcook@boe00.minc.umd.edu) Date: 08/03/93
Shakespeare Electronic Conference, Vol. 4, No. 473. Tuesday, August 3, 1993. From: Ellen Edgerton <EBEDGERT@SUADMIN> Date: Monday, 02 Aug 1993 13:57 ET Subject: *H5*: Mountjoy in Performance I was wondering if anything has been written in the past 20 years or so about the seemingly slowly expanding significance of Mountjoy the Herald as a minor character in different productions (stage or screen) of *H5*. It's obvious that Shakespeare had somewhat more than a perfunctory interest in the character to start with, but I am curious about when it became commonplace for directors to start taking lines away from other minor French characters (Rambures, Grandpre, etc) in the play and giving them to Mountjoy. It seems to me yet another interesting (albeit minor) example of how the plays evolve in performance. I have read comments by Oliver Ford-Davies who played Mountjoy in Terry Hands' 1975 production. It was interesting how many of his comments on the character confirmed my impression of Mountjoy as a "serious character" actually capable of development. I definitely got this impression from Christopher Ravenscroft's Mountjoy in Branagh's film from 15 years later (a presentation of this character which, to me, seemed to go even beyond Ford-Davies' interpretation). So my question is, how long has this been going on? For a long time, or since only relatively recently? Any information would be appreciated, not just on this character but on minor characters in any play who seem to have received added emphasis over the years in performance. Ellen Edgerton Syracuse University ebedgert@suadmin.syr.edu
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