![]() |
||||||
|
SHAKSPER 1992: Rs: Shakespeare as Himself
From: Hardy M. Cook (hmcook@boe00.minc.umd.edu) Date: 12/10/92
Shakespeare Electronic Conference, Vol. 3, No. 363. Thursday, 10 December 1992.
(1) From: Ronald Dwelle <dweller@GVSU.EDU>
Date: Thursday, 10 Dec 92 08:39:14 EST
Subj: SHK 3.0361 Shakespeare as Himself
(2) From: Rasa Hollender <HR973093@HOPE.CIT.HOPE.EDU>
Date: Thursday, 10 Dec 1992 14:02 EST
Subj: Re: SHK 3.0361 Shakespeare as Himself
(3) From: John Cox <COX@HOPE.CIT.HOPE.EDU>
Date: Thursday, 10 Dec 1992 15:17 EST
Subj: Re: SHK 3.0361 Shakespeare as Himself
(1)---------------------------------------------------------------------------
From: Ronald Dwelle <dweller@GVSU.EDU>
Date: Thursday, 10 Dec 92 08:39:14 EST
Subject: Shakespeare as Himself
Comment: SHK 3.0361 Shakespeare as Himself
I think it's fair to say that Shakespeare never speaks in
his own voice. Or perhaps he always speaks in his multiple
voices.
Ron Dwelle (dweller@gvsu.edu at Internet)
(2)---------------------------------------------------------------------------
From: Rasa Hollender <HR973093@HOPE.CIT.HOPE.EDU>
Date: Thursday, 10 Dec 1992 14:02 EST
Subject: 3.0361 Shakespeare as Himself
Comment: Re: SHK 3.0361 Shakespeare as Himself
In answer to Carian Mathwig's question about Shakespeare's speaking in
his own voice: in *Winter's Tale*, Act 4.1.1-32, it seems that Shakespeare
is speaking through the Chorus to his contemporary critics, who, during this
neo-classical genre of writing, criticized Shakespeare's lack of unity
of time, specifically in the *Winter's Tale*.
*Winter's Tale* takes place over a time period of 16 years, obviously
not following the neoclassical ideal of unity of time.
The chorus says in his lines :
Now take upon me [the playwright can be substituted here], in the name
of Time,
To use my wings. Impute it not a crime
To me or my swift passage, that I slide
O'er sixteen years and leave growth untried
Of that wide gap, since it is in my power [as the playwright]
To o'erthrow law [neo-classical ideal] and in one self-born hour
To plant and o'erwhelm custom. . . .
etc. and he goes on . . .
Picking apart this passage, evidence is found supporting that this
is Shakespeare commenting to the audience.
Also, Puck's ending speech in *Midsummer's* can also be Shakespeare's
voice directing comment to the audience.
Also, in *Tempest*, though I don't know what lines, someone comments about
how these events in the play happened over a span of three hours (the
running time of the play), and perhaps this is Shakespear's blatant way of
saying "o.k. THIS time I followed unity of time, so HA!"
I can expand more if you wish.....
Rasa Hollender
Hr973093@hope.edu
(3)--------------------------------------------------------------------------
From: John Cox <COX@HOPE.CIT.HOPE.EDU>
Date: Thursday, 10 Dec 1992 15:17 EST
Subject: 3.0361 Shakespeare as Himself
Comment: Re: SHK 3.0361 Shakespeare as Himself
The most compelling evidence for Shakespeare speaking as himself is the
Chorus of Time at the beginning of Act 4 in *The Winter's Tale*. The first
person singular applies both to time and the playwright, especially if one
considers the way Shakespeare combines both medieval dramatic tradition and
neo-classical demands for sophistication and coherence. David Young has a
nice explication of the speech in *The Heart's Forest*.
John Cox
|
|
|||||