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SHAKSPER 1992: Welcome! to Centre d'Etudes Elisabethaines
From: Ken Steele (ksteele@epas.utoronto.ca) Date: 01/21/92
Shakespeare Electronic Conference, Vol. 3, No. 13. Tuesday, 21 Jan 1992. From: Ken Steele <ksteele@epas.utoronto.ca> Subject: Welcome! to the Centre d'Etudes Elisabethaines Date: Tue, 21 Jan 92 10:01:05 EST I'd like to take this opportunity to welcome the newest group of SHAKSPEReans, the Centre d'Etudes et de Recherches Elisabethaines in Montpellier, France. Dr. Luc Borot, business editor of Cahiers Elisabethains and member of the Societe Francaise Shakespeare, is in charge of exploring all the possibilities of the Centre's newly acquired email facilities, but other members of the Centre will be joining us here on SHAKSPER in the near future. Dr. Borot has indicated the Centre's willingness to share electronic resources with SHAKSPEReans, including indexes of *Cahiers Elisabethains*, and I hope that this marks the beginning of a mutually-beneficial electronic relationship! (Incidentally, I will shortly post an announcement of another valuable resource on the SHAKSPER Fileserver -- stay tuned!) The complete text of Dr. Borot's message can be found in the current biography file (SHAKS-04 BIOGRAFY), but his summary of current research at the Centre deserves a wider audience, and I quote it here: The research in progress here is currently on: Analysis of theatre performance, elaboration of a theoretical model in semiotics through the rhetorical system (JM Maguin & Patricia Dorval), The body and wound symbolism in Sh's Roman plays (Marie Christine Munoz under supervision of JM Maguin), Editorial problems (Jean Fuzier, editor and translator of the Sonnets & Charles W Whitworth, editor of The Comedy of Errors for the New Oxford), popular mentalities and representations in the problem plays and tragedies (S. Lemonnier under supervision of F Laroque), idealism and machiavelianism in the History plays (L.Borot and MA students), humanism in Shakespeare, humanism in Hobbes (L BOROT), the Levellers in the tradition of popular festivals and riots (L Borot and F Laroque), national identity and its language from the Henrician Reformation to the Restoration (L Borot and JP Moreau of Limoges), edition of musical treatises of and around John Case (P Iselin, of Limoges). Dr. Luc Borot ELI16@FRMOP22.Bitnet
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