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SHAKSPER 1991: Authorship Controversy
From: Ken Steele (ksteele@epas.utoronto.ca) Date: 10/03/91
Shakespeare Electronic Conference, Vol. 2, No. 248. Thursday, 3 Oct 1991. (1) Date: Thu, 3 Oct 1991 10:06:10 EDT From: Jay Funston <FAC_JLFUNSTO@VAX2.ACS.JMU.EDU> Subj: RE: SHK 2.0246 Authorship Controversies (2) Date: Thu, 3 Oct 91 08:50:32 PDT From: Victor L. Bennison <bennison@r2me2.enet.dec.com> Subj: Re: The Authorship Question (1)----------------------------------------------------------------------- Date: Thu, 3 Oct 1991 10:06:10 EDT From: Jay Funston <FAC_JLFUNSTO@VAX2.ACS.JMU.EDU> Subject: 2.0246 Authorship Controversies Comment: RE: SHK 2.0246 Authorship Controversies Let me add to the excellent reasons already given for ignoring the "authorship controversy" one more: TIME. Whenever another candidate for authorship of Shakespeare's plays is advanced (or an old one resurrected) I must deal with the problem in my classes. Students are as eager as any others to latch on to the latest popular themes, and have no qualms about raising an "issue" in the classroom with a professor who has said at the outset that questions of authorship--whether W. Shakespeare of Stratford or someone else of the same name and background is responsible for the works we read and view with admiration--are irrelevant. Not only do I have to respond, wearily, to the challenge, but I also have to read the latest "evidence." Thus time and energy, in and out of class, are expended upon a fruitless endeavor. Jay Funston <Fac_jlfunsto@jmuvax> (2)------------------------------------------------------------------ Date: Thu, 3 Oct 91 08:50:32 PDT From: Victor L. Bennison <bennison@r2me2.enet.dec.com> Subject: Re: The Authorship Question Thank you for the calm and consiliatory replies. I want to say in addition that I am not an Oxfordian, though I think the contest is clearly between him and Shakespeare. I find problems with both sides. I'm not one to just let the victory go to the incumbent. For me the result is inconclusive. I, also, find some Oxfordians annoying in their methods. But so do I find annoyance in the Stratfordians, particularly Rowse (who made the statement something like "Geniuses always come from the common people. You never find a genius among the nobility". Talk about reverse snobbery! Since nobility make up less than 1% of the population, I would suspect that you would find a similar percentage of the geniuses in that class). I don't feel that Schoenbaum's history went far to disprove the Oxfordian basic premise, that Oxford was using the name Shakespeare. Oxfordians don't deny that there was a connection between the man from Stratford and the London theatre. The thing that I want to understand better is why there is such a strong connection between the heroes in Shakespeare's plays and the life of Edward de Vere, between the psychological profiles derived from his works and the probable psychological makeup of Edward de Vere, versus the probable psychological makeup of Shakespeare. I am unwilling to believe readily any explanation of the authorship that involves a large coverup involving all kinds of authors, critics, monarchs, noblemen, etc. As to whether the question of authorship is important: I think that if the authorship were definitely moved from Shakespeare of Stratford to some other person that it would be considered an important finding in some areas of scholarship, surely. Wouldn't it? As to whether the question is interesting: I guess it's just a matter of what fills your quill. Victor L. Bennison
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